Californian DJ Kid Kameleon provides a couple of dubstep mixes for Mashit.
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This is a trip. Check out the video for Benga and Coki’s infectious ‘night’. The ‘Dooms Night’ of our time? Surely there’s a mashup with some public enemy spits right round the corner?
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This time a mix from 2krazy featuring the likes of Scuba, Dot and Geiom.
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one last live foray (if our dreams come off, there maybe virtual outings in the future) into a world of jumbled beats and freaked out house chez smarties. marc will be hitting a milestone around midnight so expect some extra sauce on top of the normal festivities.
for me, the end of an era – as [...]
I’m fully aware it’s a new year, but I’m just not done with 2007; picked up some cool stuff whilst on xmas hols, like The Field’s laidback techno album From here we go sublime and Norwegian DiskJokke’s Staying in. So while we’re waiting for 2008 to materialise we’ll simply start where we left off, with [...]
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A couple of tracks here from the mysterious one. There’s something about Burial that doesn’t really do it for me. There is something in the compressed high-notes that leans just that bit too far towards indie and away from dance.
So why am I linking? Well, both these tracks come from Kode9’s Sonar set (which [...]
OK, here we go with yet another review for Burial’s ’sophomore’ long player. This time it’s the San Francisco Bay Guardian that’s gushing over the disoriented beats and dark spacey soundtrack. Still, you have to give credit to a well-written article and there’s something about how a piece of music gets rediscovered across the globe. [...]
Yet another sign of Burial’s acceptance into the indie scene is this nomination for the Shortlist Music Prize.
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Miami New Times features Joe Nice – a key DJ pushing dubstep across the US, primarily through his show on www.gourmetbeats.com.
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How does New York’s Village Voice organ describe the appeal of dubstep over the last year? Like this:
“And increasingly-less-mysterious dubstep producer Burial (and Pinch, and Shackleton) once again reminded listeners that it’s not always just a steady kick drum that can move a crowd: Paranoid, syncopated elegies for angels work just fine as well.”
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