Irish Independent, Ireland - 1 hour ago Dubstep is a form of electronic music notable for its dark cinematic mood and extra heavy bass, evolving from drum 'n' bass, grime and garage. ... |
Irish Independent, Ireland - 1 hour ago Dubstep is a form of electronic music notable for its dark cinematic mood and extra heavy bass, evolving from drum 'n' bass, grime and garage. ... |
A producer's laptop being stolen is essentially the equivalent to a band losing every single one of its instruments, and unfortunately, such a thing occurred last night in Denver to edIT. The L.A.-based producer played a show with his Glitch Mob crew, after which someone snagged the computer and disappeared.
From edIT:





















Travel Connect, UK - 21 hours ago In 2006 Wilsonic was the first significant Slovak music festival to point out the new arising club trend known as dubstep. The festival presented pioneers ... |
XLR8R gets an in-depth look at two new Spectral takes on the post-rave soundclash, James T Cotton's Like No One and Osborne's self-titled album.
![]() guardian.co.uk | guardian.co.uk, UK - May 15, 2008 Soul Jazz have put together a beautifully packaged dubstep compendium, cherry-picking a selection of old and new tracks that aim to tell the genre's story. ... |
guardian.co.uk, UK - May 15, 2008 On the pirate stations, too, things have moved on, with funky house and dubstep now dominating the illegal airwaves. And the avenues for live performance ... |
Bradford Cox will take a break from his work with Atlas Sound to join his Deerhunter crew again for a set of tour dates, the bulk of which are supporting, uh, Nine Inch Nails. Past tours have included such antics as performing onstage smeared in fake blood and Cox donning a sundress, so expect nothing less than intensity and eccentricity at these shows.
Meanwhile, a yet-to-be titled follow-up to Cryptograms is slated for release later this year. The album is said to be in production right now.
Tour Dates
Brooklyn-based conscious reggae artist Rob Symeonn’s distinctly pitched voice is both fragile and deliberate, which allows his clean-living roots and culture lyrics to sound inspirational rather than bossy. Songs like “King Tafari,” “Good Over Evil,” and “Empress,” on the 2006 album Chosen One (Redbud), showcased his range and consistency, as did this year’s uniquely cognizant “Pork Eater” on dubmaster Tiklah’s full length for Easy Star.
The Mary Onettes play rock-pop heavily influenced by the sounds of great bands like Joy Division, Echo & the Bunneymen, The Cure, and The Stone Roses. They aren't knock-offs though, their sound is fresh and modern. Although, Mary Onettes chief songwriter Philip Ekstrom said recently in NUVO, "Not many bands have consequence in the making of an album. They say they’re inspired by the '80s, but it sounds modern. I was determined to make an album that sounded "unmodern". It sounds like it was made in the '80s. That was important to me when I was doing the album."


If you were at The National show in the Olympia last night, you will have heard this song serve as the introduction to the band.
Much has been written about Bon Iver’s recording methods of hibernating in a remote cabin in Wisconsin for three months during winter. It’s inevitable because these songs on For Emma, Forever Ago are desolate and brooding, questioning and a little lonely. Iver sounds like a man who hasn’t talked to anyone in a long time. Even his name means “Good Winter”, slightly bastardised from the French version.
FYI: I thought the National were middling and the sound was awful. Thank you. See you guyzes on Monday/Tuesday.

With five solid years of releasing tunes under his belt, Ben Watt and his Buzzin' Fly imprint are taking some time to acknowledge half a decade's worth of musical accomplishments with Buzzin' Fly - 5 Golden Years in the Wilderness.
Producer, inventor, and lover of conceptual music and Victorian attire, Daedelus has once again emerged from the studio with a playful, genre-defying album. Love To Make Music To, set for release on July 15, marks his first full collaboration with Ninja Tune, though he's had several albums and singles on the label in the past (not to mention ones on Mush, Alpha Pup, Plug Research, Hefty, and a bunch of other imprints).

My younger co-worker said something recently that caused quite a stir in the office. “John Hughes is totally overrated” or something similar to that. The more seasoned of us — nearly 10 years her senior — couldn’t believe the sentiment. No neophyte directors since have been able to come close to Hughes’ teen-oriented melodramatic comedy and while some of his films are better than others, few directors have created such a timeless tone that has survived the scrutiny of 3 generations. The weird part of the entire thing is that right after she declared Hughe’s irrelevance to an entire age group, she sends me this remix by Cut Copy. Fuck if there isn’t a song out right now (save anything M83 releases) that doesn’t capture the excess of the 80s better than an emotional electro rework of The Mac’s “Never Forget.”
Buried at the very end of 1979’s Tusk, this Christine McVie-penned gem becomes something entirely different in the hands of Cut Copy, something I won’t hesitate in saying is BETTER than the original. It’s simply a hugely epic rework, something that can be played in almost any environment and at any time. The transition from McVie’s guitar/vocal into a keyboard-saturated build up reminiscent of Thomas Bangalter or Fred Falke is just too smooth. My only complaint: it should be about 4 minutes longer. If you don’t feel this, you need to get your pulse checked or find the nearest defibrillator. While it’s posted on the Hype Machine already, it’s simply too good not to post here.
IMPORTANT NOTE FOR USERS OF THE SK FEED: I recently upgraded wordpress to the most current version and may have altered the RSS/Atom feed slightly. You can get the SK feed at the URL below. Please update if you haven’t already.
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The Dodos are a band from San Francisco who featured on the latest podcast. Their debut Visiter is rather beautiful. Here’s an example:
‘Undeclared’ is a bright, breezy, unashamedly twee, 2 minute naive pop paean to unrequited love. Lovely jubbly. The Dodos play Crawdaddy on the 13th of June.
Buy Visiter: Amazon UK | eMusic



Live from the Sugar Club last night, despite the venue’s stupid seated crowd and keyboard problems, Duchess Says still ripped up the stage nicely. Singer Annie-Claude likes to physically represent the twists and turns in the music and the melody. Impressive stuff.
Caught Yeasayer in Whelans afterwards. Rumblings that they were terrible live proved to be unfounded (at least last night). The songs were heavy on ‘vibe’ but still unique enough away from their recorded material. The venue was full for them and considering how much else is going on this week, I was very surprised. Plus - Didn’t the bass player look like a lumberjack with his boots, mustache, long hair, child’s hat and wife-beater?